The Getty Museum's future director has experience overseeing big purchases. What can he do for the Getty? And, more important, for L.A.?
With the Getty Trust's recent announcement that, after a gap of more than two years, a director has finally been hired to lead its museum, a perennial question arises. The Getty's art collection certainly hasn't languished, with important additions periodically made, but few would say it has lived up to hopes for the hugely wealthy institution. What does new leadership portend for it?
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